Ribbon worn as rings.
Alook from Spring 2001. The retrospective
uses more than
Margiela questioned the obsolescence of clothes with his «Artisanal» collection, created from vintage garments and recovered materials transformed into unique hand-sewn pieces. And also with his “Replica” series of vintage clothes garnered from around the world and reproduced identically. Margiela remains the creator without face, the man who does not do interviews, and whose clothes came with plain white label bereft of any brand-name. This man who promotes anonymity is famous, not only for his use of white, colour that he espoused in multitude of shades, but also for holding his défilés in unusual venues: in carparks, warehouses, metro station, or on waste ground. Using more than 130 silhouettes, videos of défilés, House archives and special installations, the Margiela Galliera exhibition offers us an unprecedented look at one of the most influential contemporary fashion designers. The scenography for this retrospective was worked out in collaboration with Margiela as an exhibition and, at the same time, site under construction. Margiela always paid particular attention to the composition of the space of his shows. With this retrospective, Margiela wanted to create the sense of wandering through private place, establishing close and direct relationship with the garments.
ses 2S). pure cou noire odoule
Margiela’s designs defy easy description. The exhibition traces 20 years of the designer’s
career. The iconic wigcoat from 2009, False nails made an appearance
So visitors will see the “exhibition” as an object deconstructed: it is about progress
on the site, the state of transition,
uncertainties and possibilities. Traces of the dismantling of the previous exhibition and the assembly activities have been preserved. Not all the surfaces have been covered in white, and lighting
plays critical role to both light and
support. It punctuates the exhibition trail, intermittently lighting up the shadow that makes up most of the exhibition.
What’s interesting too about the
exhibition is that young visitors are also not forgotten. Individual workshops offer the young opportunities to have hand at being fashion apprentice, designing recycle jewellery, upcycling and recycling,
and stotytelling, to name few.
Royal Brunei Airlines flies London Paris in www. .com.bn
Woftls GRACEOO! The Muslim festival of Eid ul Fitr will be celebrated inmany parts of the world 14 June or 15 June this year. It marks the beginning of Syawwal and the end of holy month of Ramadhan, where practising Muslims abstain from
consuming food and drinks from sunrise to sunset. The timing of Eid is based on the Islamic lunar calendar and the sighting of the new moon of Syawwal, hence why celebrations vary from country to country and why both Ramadhan
and Eid “change” through the Gregorian calendar from year to year.
Eid ul Fitr is one of two Eid festivals observed by the Muslim faithful. The second, Eid ul Adha, comes at the climax of the Hajj, the sacred journey to Makkah.
Worldwide, the Eid ul Fitr celebrations begin with Muslims performing special Eid prayer in congregation. In major cities, mosques will be overflowing with the crowd, with worshippers sometimes filling the streets. In
places where mosques cannot accommodate often conducted in open spaces, such as
the congregation, the prayer is football stadium or an open field.
Traditional greetings during the Islamic holiday begin with Eid Mubarak, which means “Blessed Eid.” Another greeting, “taqabbal Allah minna wa minkum (May Allah accept (this worship) from us and from you)” follows the congratulatory greeting Prophet Muhammad’s (peace be upon him)
companions would say to one another on the occasion of Eid.
thd‘air ieeeSA ety NY SS Sines Vf
Source: MUHIBAH, the Royal Brunei Airlines in-flight magazine, 2018 May-Jun, pages 36-42. Text recovered from the scanned page by OCR and lightly corrected; spelling may differ from the printed edition.













